The remnant of a medieval village, in soft clunch and dating from the 14th and 15th centuries – Caldecote retains an elaborate canopied stoup, a fine font, and is host to a Fuchsia Festival each Summer.
An early 20th-century private chapel built in the Arts & Crafts style, and set in a chocolate box village in Wiltshire.
The earliest fabric of St Denis’s dates to 1217, but much of the surviving medieval elements are from the 14th-century. Most of extant work is that of 19th-century architect William Butterfield.
A rare example of a surviving Arts and Crafts-influenced church by the architect John Coates Carter, re-invented from fragmentary medieval ruins in 1926-7 and characteristic of the architect’s later work in its use of indigenous materials and identifiably Welsh vernacular motifs.
St Mary used to be a wayside church, hugging the edge of the Great Cambridge Road until this was diverted. It is now a well-kept secret – the only sign leading to it reading simply ‘Byroad’. It passed to us after the heroic group that took it on when it closed sought a long-term solution.
A fascinating medieval church in a picturesque setting overlooking Caernarfon Bay, St Baglan’s has pre-Christian origins – evident both in its large churchyard and early inscribed stones set in the doorway – and an evocative 18th century interior.
The tiny little church at Llancillo, vested with us in 2007, is probably the most difficult of all our buildings to find – but the search is worth it. The key hangs in the porch but the door is only locked to keep out the sheep.
© Trevor Warr © Trevor Warr © Trevor Warr © Trevor Warr © Trevor Warr © Trevor Warr © Trevor Warr © Trevor Warr St Mary’sSt Mary’s is both peculiar …
St Figael (St Migael) would not be here now but for the Reverend Edgar Jones. Edgar adopted the building when it closed and saw it through the thick and thin of Welsh weather before we were able to take it into permanent care in 2007.
A single-cell, medieval interior dominated by its 15th century cusped and braced roof. Notable for its connection with David Lloyd George who championed the right of a Non-conformist to be buried there in 1888, and Clough Williams-Ellis, whose family seat is nearby and who knew and loved the church.