A modest but evocative late Georgian Anglican box with Gothick windows, and a completely intact, single chamber interior. The chief joy is the painted and panelled pulpit and reading desk, the former so tall it almost touches the ceiling with its sounding board.
Despite the availability of level sites nearby, the church at Castlemartin is cut in to a steeply sloping rock bank outside the town centre. Perhaps the proximity to a stream …
Priests at Hodgeston were fortunate in being provided with a finely carved tripartite seat (known as a sedilia) to repose on during the service. But this seat is rather special – it dates from the 14th century, was probably paid for by Bishop Henry de Gower (1328-47), and carved by the same craftsmen he employed at St David’s and Lamphey.
A rare example of a surviving Arts and Crafts-influenced church by the architect John Coates Carter, re-invented from fragmentary medieval ruins in 1926-7 and characteristic of the architect’s later work in its use of indigenous materials and identifiably Welsh vernacular motifs.
Old St David’s lies on the pilgrimage route to the cathedral of the same dedication and next to the Teifi River. Frequent flooding led to a new church being built on the other side of the river in the 19th century, and its redundancy in the late 20th. Our only church with a coracle!
St Dogfael’s church, Meline is an exercise in High Victorian geometry with “minimal extraneous detail”. The church was built by Robert Jewell Withers in 1864 for Gothic romanticist Sir Thomas …
Dedicated to St Decumanus and dating from the 14th century, with an unusual plan including 3 chapels. In 1994 the oil refinery behind the church blew up and burned for 36 hours; the village was cleared and with no congregation left it was declared redundant and passed to the Friends in 2005.