St John the Baptist is listed Grade II and was conveyed to the Friends in 2011 when no other solution could be found. Though it retains some Romanesque fabric, it was largely rebuilt in 19th century by its priest-architect, Father William Grey (1820-72).
A Grade I listed 15th century former private chapel with a salmon pink interior and fine monuments to the Ayshford family. Approached via private farmland – take care not to shut inquisitive sheep in the church!
St Mary’s is famous for two products of the 15th century – the churchyard cross with its intricate biblical sculptures (which we don’t own) and, inside the church (which we do), the medieval rood screen and rare, elaborately panelled, loft above, from where it is believed the priest would have read the gospel during Holy Week.
St Mary of the Angels is our first Roman Catholic church, and, as it was only completed in 1937, it is also our most modern vesting. Designed by WD Caroe at the end of his career, Brownshill has passed to us through the determination of local people to save it.
Earliest fabric 1217, reused medieval stonework, important 17th century cartouche to Downing family in S porch (founders of Downing College, Cambs). Most of extant work is that of 19th C …
A rare example of a surviving Arts and Crafts-influenced church by the architect John Coates Carter, re-invented from fragmentary medieval ruins in 1926-7 and characteristic of the architect’s later work in its use of indigenous materials and identifiably Welsh vernacular motifs.
Made special by its interior, medieval St Mary’s retains a complete circuit of 19th century scraffito decoration by Heywood Sumner, depicting the Benedictine – it is unique in Wales and listed Grade I. The architect for the 19th century rebuilding was John Dando Sedding.
The tiny little church at Llancillo, vested with us in 2007, is probably the most difficult of all our buildings to find – but the search is worth it. The key hangs in the porch but the door is only locked to keep out the sheep.
Dismayed by the ‘Low churchmanship’ of the nearby parish church, Mrs Louisa Harris decided to erect her own private chapel, and assembled a glittering array of artists to execute it. Architect: Sir Guy Dawber. Date: 1897.
There has been a church on the site of St John the Baptist for nearly a thousand years, but the distinctive chequerboard design of clunch (limestone) and knapped flint you see today was a rebuilding of 1852-4 by the Ecclesiologist JH Sperling.
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