St John the Baptist is listed Grade II and was conveyed to the Friends in 2011 when no other solution could be found. Though it retains some Romanesque fabric, it was largely rebuilt in 19th century by its priest-architect, Father William Grey (1820-72).
Ballidon All Saints sits in a tightly enclosed churchyard in the middle of a wide, open field. This bucolic setting, in which sheep and cattle graze, is an important archaeological site from the Early-Late Medieval period.
St Mary of the Angels is our first Roman Catholic church, and, as it was only completed in 1937, it is also our most modern vesting. Designed by WD Caroe at the end of his career, Brownshill has passed to us through the determination of local people to save it.
An early 20th-century private chapel built in the Arts & Crafts style, and set in a chocolate box village in Wiltshire.
We own three ancient ‘ruins’ (or ‘Scheduled Ancient Monuments’) and Eastwell St Mary is one of them. Only the 15th century tower and the 19th century chapel remain of the church, with an intriguing memorial to a Richard Plantagenet, supposedly son of Richard III, in the former chancel.
Llandawke St Odoceus was rescued from dereliction in 2006 and is found just off the tourist trail – a short drive from Laugharne, home of Dylan Thomas, with many fine beaches, castles, and picturesque walks nearby.
A rare example of a surviving Arts and Crafts-influenced church by the architect John Coates Carter, re-invented from fragmentary medieval ruins in 1926-7 and characteristic of the architect’s later work in its use of indigenous materials and identifiably Welsh vernacular motifs.
This residual tower of 1775 is all that remains of the church after it fell into decay in the 1960’s following serious storm damage. We are thrilled that the Friends of Lightcliffe not only care for the vast churchyard, but have catalogued all 11,000 burials online.
A fascinating medieval church in a picturesque setting overlooking Caernarfon Bay, St Baglan’s has pre-Christian origins – evident both in its large churchyard and early inscribed stones set in the doorway – and an evocative 18th century interior.
St Mary’s is both peculiar and picturesque. Set in to the chalkland of the Cranborne Chase, the design combines a late medieval tower with a nave, transept and apse built …
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