St Mark’s is barely glimpsed from the road, but once you are close, it reveals itself as the single most extraordinary exotic amongst our Welsh holdings. It dates from 1895-8 and is the work of the nationally important architect, Henry Wilson (1864-1934).
Despite the availability of level sites nearby, the church at Castlemartin is cut in to a steeply sloping rock bank outside the town centre. Perhaps the proximity to a stream …
A Grade I listed 15th century former private chapel with a salmon pink interior and fine monuments to the Ayshford family. Approached via private farmland – take care not to shut inquisitive sheep in the church!
St Mary’s is famous for two products of the 15th century – the churchyard cross with its intricate biblical sculptures (which we don’t own) and, inside the church (which we do), the medieval rood screen and rare, elaborately panelled, loft above, from where it is believed the priest would have read the gospel during Holy Week.
Medieval Boveney St Mary was built to serve the bargees on the nearby River Thames and retains an atmospheric 18th and 19th century interior with box pews. It has an active group of Local Friends organising events and concerts in the church.
St Michael and All Angels is a small church built of Old Red Sandstone rubble. Grade I listed, it is located in the peaceful setting of Llantrisant Fawr, Monmouthshire. The …
The rare medieval rood screen at Llanelieu, on which you can still see the ghostly outline of the cross removed at the Reformation, is much admired by visitors and architectural historians alike. But did you know it also features in Andy McNab?
St Mary’s is listed Grade I and was taken into care by the Friends in 1982 after the church authorities had proposed converting it into a house. It retains a fascinating series of monuments to the Catesby and Sheddon families.
Made special by its interior, medieval St Mary’s retains a complete circuit of 19th century scraffito decoration by Heywood Sumner, depicting the Benedictine – it is unique in Wales and listed Grade I. The architect for the 19th century rebuilding was John Dando Sedding.
A single-cell, medieval interior dominated by its 15th century cusped and braced roof. Notable for its connection with David Lloyd George who championed the right of a Non-conformist to be buried there in 1888, and Clough Williams-Ellis, whose family seat is nearby and who knew and loved the church.
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